Showing posts with label The Frets. Show all posts
Showing posts with label The Frets. Show all posts

12.10.2010

The Frets

 Ladies and gentlemen, I give you The Frets. My first year film at Simon Fraser University. See my previous post on production.

This was a very personal project for me - after being rejected from this film program a handful of times, I wanted to complete this on my own. I think I really needed to prove to myself that I finally belonged in this program. I picked a concept that I could relate to, simple as it was. Unfortunately, I think I kept it too simple. To me, my camera work was a little dry. If the scratches weren't present (for whatever reason), I'd put everyone to sleep. Most of my shots worked out great - fantastic exposure (I think it's pretty good, I mean, for someone who still doesn't completely understand exposures), great colour.

As per first year requirements (and much to my immense delight), this film was shot on 16mm film with an old, spring motor Bolex and cut on a Steenbeck flatbed editor. One thing that I really wanted to do with this first film is experiment with the medium of film itself. You can't take paint and bleach to video - so I went a little crazy. After cutting my film and putting together a solid cut on the Steenbeck (one of these badboys), a set up a work table at home consisting of a transparent cutting board propped up on stacks of paperbacks, a bare lightbulb, a film reel winder on top of the desk, and a pen stuck into the chair to put my take up reel on (which was interesting). I also had a little standup magnifying glass and a wide variety of acrylic inks, paint brushes, q-tips, tiny glue applying brushes, x-acto knives and a large jug of bleach. The hand work on this was excruciating. 24 frames go by each second. So to make anything consistent, it was extra killer (the breakfast foods especially destroyed me).

The night before I showed it in class, I was up all night - still scratching and bleaching away (trying so hard not to pass out from chlorine fumes). I left the sound mix for last (aka starting it three hours before class started). Originally I had a much more complex sound track planned. But I quite like how it turned out. I had my bff and amazing talent, Durae over to do voice overs. Upon going to put them to the film, it just wasn't flowing. SO. Me, who hates my voice, at 6 am, after a night of too much bleach , an entire box of Pot of Gold chocolates (yes, I am THAT disgusting) and a good solid 20+ hours of zero sleep, does this voice over. Upon listening to it back, all I could think of was Nicolas Cage's Charlie Kaufman in Adaptation. This has also been pointed out to me numerous times after the fact. Good thing or bad? Not entirely sure. At around 8:30 am, I wrapped it up, synced sound one last time and bit my lip. My loathing for this project was so unimaginable - an hour before class and I thought it was the worst, an abomination to film.  The biggest pile of steaming bullshit this world has ever seen. The whole way to class, my heart was pounding in my ears as I was thinking of some way to apologize for it's horribleness to the entire class.

I could hardly concentrate on the films that came before mine (I was glad I had other opportunities to see them, because they are amaaaazing (I will never see escalators the same way ever again)). My heart was in my throat. The butterflies in my stomach turned to bees. I was shaking and sweating. My hands still smelled like bleach. I fumbled the film into the projector, I was on the brink of apologizing for the dreadful end result - then, without saying a word (well, after panicking at the lab instructor because I didn't know where the focus knob was on that particular projector) proceeded to stare at my feet while it played.

The Frets from Laurel Brown on Vimeo.

What I heard was laughter, than applause. My heart slowed down a bit, the class began to discuss. With every word, I started to feel so much better. Having done scratch work on film themselves, they understood the trials that are involved to do it. I even got a compliment pertaining to my, "... unique perspective of the world," and even my voice over. I wanted to say grandiose things about my film, having my faith in life restored, but all that came out was a nervous dribble of words about nothing in particular.

Post screening, I have got to mention,  I experienced such a feeling of elation I had never felt in my life.

I have wished numerous times to myself in the past years that I wish I had gotten into the film program previously. But here is something I have discovered, coming to the end of this first semester, I am so happy to be with the fantastic people in my class. We are all very different, ranging talents, backgrounds and ideas, but all of us have this common thread running deep within us - an intense passion for film. Each film that was presented was completely different, personal journeys, exploring the medium of film, the artistry of it, the processes and labors. Each unique, fantastic and inspiring. I will be proud to work with these people for years to come.

And I just have to mention - that a computer did not touch this film until it was recorded to be put on the internet this morning. Four days after it's completion.

Thank you for reading all this - I just thought I would preserve it for those rough patches where I need something to hold onto for dear life.

Sorry for the cheesiness and nostalgia. I think it's appropriate right about now.

11.16.2010

'The Frets' photojournal

Bolex #4 - a mysterious enigma that does not like to count film properly and enjoys giving me anxiety.

The paperwork... before it got stuffed into my pocket for three days.

Organization. A bitter sweet process.

This then happened. 90% of the clothes I own were unfolded and thrown on the floor. But, with any luck, it will be the best stop motion double exposure anyone has ever experienced.
Overall, it was a pretty swell, but extremely tiring process. First and foremost, thanks to my one talent/superhelper/drinking buddy Durae! She put up with three days of not only me, but FILMMAKING me, which is this entirely different entity.

For this first project, I decided to go without help. I got lots of offers for extra hands on location from my super film class peers, but this was a journey I had to make to myself - perhaps only to prove that I could do it on my own.

My weekend (mid-Thursday through very early on Monday) went as such:
  • 4+ hours of planning, storyboarding, checking and double checking equipment
  • 10+ hours of set ups and shooting
  • 200 feet of 16mm film
  • numerous mild aneurysms over-thinking exposures
  • trying to justify to a stranger or two why I was shooting on film and not digital
  • a lot of puns
  • 5 hours of my normal job
  • 12 hours of Lord of the Rings at the Rio
  • Way over budget on food
  • 6 hours of late night philosophical conversation
  • a soup pot filled with spiced rum cider
  • so much coffee
  • 10 hours of sleep

My film is currently being whisked to Ontario to the fantastic Niagara Custom Lab. I hope to have it back by next Monday, so I can begin the arduous process of post-production I have assembled for myself. I am sure there will be lots of cursing when I get the film back. Then when I have to cut it on the Steenbeck, then again when I'm hunched over it, carving impossibly tiny things into a 16mm wide piece of emulsion with a knife. But this is the moment I have been dreaming of since the day I woke up and figured I would devote the rest of my life to film. Life is good.


On Sunday, the amazing Rio Theater showed all three Lord of the Rings films (the extended versions, too!). It was a struggle to stay awake through them, as I had gotten 10  hours of sleep over the course of three days and I was extremely exhausted. It was so great to see them all again. I realized that I hadn't seen Fellowship of the Ring in theaters for eight years. Which makes me feel old. The first and second of the trilogy were shown on 35mm. Unfortunately, Return of the King was shown on DVD and seeing the two compared so close together made me see the difference. It's something I always knew was there, and now I have physical proof for myself. There was digital noise, the colour was different (in a sort of contrast-bumped way) and even the sound was distorted. Nonetheless, it was a rather emotional experience; partly because of the lack of sleep and the rapid 'coming down' after two days of caffeine high, but mainly because I realized that The Fellowship of the Ring was the film that introduced me to the concept of cinematography. The day I watched that film, not only did I want to make films even more, but my perspective of filmmaking changed. It sounds really lame - but it came out when I was 12 or 13, I had never seen anything so amazing. Nothing will ever influence me the ways that these movies did.

"Fell deeds awake... now for wrath... now for ruin... and the red dawn."

Anyways, I'd just thought I'd justify my Lord of the Rings love. If you have it seen it, see it now. It's got an ocean of depth (compared, especially, to the puddle of depth Avatar has). Also, read it. I've read Fellowship of the Ring so many times. When they pass through Farmer Maggot's field has always stuck with me, a long with the parts with Tom Bombadil. ANYWAYS, it deserves a lot of respect, both the books and the films. I'll stop having a glory rant.

I still owe my blog some VIFF reviews. One of these days.

Hope everyone's having a great November!

11.10.2010

Bazinga.

Just a quick, low-sugar update:

I got a Tumblr account. Check it out if that's the sort of thing that floats your boat. Weird things happen there.



That is all.

Except for: I just picked up my sweet, sweet Bolex today. I'm shooting my first year film this weekend - it is called 'The Frets'. STAY TUNED FOR UPDATES.




I need less espresso and more real food....