That end of semester stretch.

End of semesters are always tough. This year's got me in a nice time-bind, with two major creative project deadlines and a final exam in under 24 hours. The exams and papers are a little easier to make happen, but the creative endeavours are a little harder to work through on a fierce time frame. It doesn't do nice things to my brain. Alas. The semester's nearly done.

Vancouver's been treating us to some supreme-stellar weather these past two weeks, and my only regret is having to sit in front of a computer pretty much all the way until the 18th of April. Plans for the summer and the shoot in August are forming up slowly - pulling resources together, pulling a script together. I'm so excited to be shooting on the Arri SR-3, on a medley of stocks from Kodak and Fuji. I'll be picking up my Kodak stocks this week and starting to book gear at the same time. It feels like a lot to bring together in the next month or so, but with each step forward, I feel a little more sure that I will be successful in this endeavour. 

The garden sits outside and taunts me, most days. Still overgrown with last year's remnants, come April it'll all be dug up, soil supplemented, seeds started. I can't wait to get out into the sun and get a little work done with my hands.

This summer will yield very few surprises, it's straight shooting until August. I've got to do a great deal of saving/budgeting to make it through til post with my grad film (I can't wait until it has a title, so I can stop calling it 'my grad film'). I'm hoping to get a lot of reading done - I've got a stack of books on filmmaking, directing, cinematography and photography to work through. 

I'm really getting a kick out of an anthology of short stories I picked up at the library last semester. I read a quote by Truman Capote on writing posted somewhere on Tumblr and decided to try reading through some of his work. I have become completely enthralled by his writing style - very visceral - he describes things in such a way that you can, for an instant, feel them. One passage from House of Flowers, "Ottilie was used to boldly smiling at men; but now her smile was fragmentary, it clung to her lips like cake crumbs." It's absolutely fantastic. The stories range from the 1940s to the 1980s and are an absolute pleasure to read. I'm hoping to pick up some of his novels this summer. For those who appreciate an author who weaves their poetry in such a wonderful way so as you want to read them aloud, I recommend Capote.

I'm finally getting out to take some 35mm stills tonight. Lucky one of my classes gives me an excuse. I haven't had a chance to take my new Nikon FA out for a spin this year. It should garner some supreme results. I'm taking some 400 speed black and white out at sunset to see what I can capture.

I had fun rough draft-procrastinating by doing up my titles with ink and brush, scanning them, then putting them through colourizing and prism filters for a unique credit sequence I'm pretty excited for.

With the screening of A Spoonful of Sugar and the preproduction of my grad film commencing, it seems there's very little room in my brain for much else. Which I definitely don't mind.

Happy Easter everyone! Enjoy the sunshine, and happy editfest 2013.




Things to check out!

Our screening! Don't forget! SFU Woodwards on April 18th
I started a film work-specific Twitter account
Colonel Chris Hadfield's Tumblr 
A film hasn't punched me in the heart for a while, but this one did

Multiple-front pre-eminent disaster.

Well, now that I've rung in my twenty-second year on this planet - I've got to say, it feels like the past year has been this set-up to make this year one of change, opportunity, and brain-building. It sort of feels like I'm stepping off of a high wall into something uncertain, but good. But I have a feeling I've probably said something to that effect before. Who can say.

There's a deep foreboding hedgehog that's sitting in the pit of my stomach concerning this spring. Summer will be a time of busy-ness and celebration - but between now and then, I'm not so sure. It's either a bad bit of deja-vu or some new fangled thing, but something's not quite right. We'll cross that dubious bridge when we come to it.

I'm just beginning to cut my film for this semester. I'm battling through my dislike of the post-production process, syncing sound is slow - the assembly cut is slow. But it's all coming together. I've got some great, hand-drawn titling I'm doing - the film now officially being called "A Spoonful of Sugar" (thanks, Joel). After spending the most pretentious hour of my life surfing the 'typography' tag on Tumblr, I got some super ideas of lines, patterns and fonts to doodle around with. I'm looking forward to seeing the final product.

I set up a new set of challenges going into production for this film, and I think I'll come out the other side better for it (as we often do). I had a great little cast and crew working with me - and save the date: our screening is going to be on April 18th at the David Mowafaghian Cinema at Simon Fraser University Woodwards at Hastings and Abbot. It's free! And there's nothing better than filled seats to us filmmakers.

Now that we're into March, the preproduction process concerning my grad film is fumbling along. Having made the first half of my film stock purchase from Fujifilm, I now open my fridge every day to stare at six rolls in square cans patiently waiting for their time to come. My current trepidation is breaking my script back down to the essentials and building something that is worthy to be shot on the last little bit of super 16mm in manufacture. No pressure or anything, brain. I'm really hoping to externalize some very internal feelings with my last student short. It's something I'm dreadful at, but I think taking a step back and looking at how I tend to internalize things could help me create something wonderful and bold - an adventure in self-discovery through collaboration and filmmaking. (So exciting!)

I'm looking forward to building a crew and a plan to get everyone out to Alberta late August. As much as I don't enjoy pre-production, having it all come together on that first shoot day is just a fantastic feeling. I'm looking forward to the adventure. My most ambitious shoot to date.


I had a dream recently (yeah, I'm going to talk about my dreams), my first with having to do with a long-lasting, subconscious need to forgive. After reading Looking for Alaska by John Green, I had a weird mental suturing occur between feelings I had been having regarding the loss of a friend, and my reluctance to relinquish those feelings that stuck around after. I think about it often, and the dreams I have had regarding the loss have been numerous - but this one was different, it's not closure by any means - but perhaps something working towards it. It's refreshing to find a piece of fiction that affected me so thoughtfully and positively. And sometimes a revisit to young adult fiction is just what my heart needs.

On the other end of that story, I also recently had, what I'm going to call, my first 'rage' dream. From which I woke up thinking I had yelled all my issues with everything at everyone and it felt pretty good. My brain's sending signals.

I've got a very bizarre inkling to write again. Write novels. And I'm having a hard time separating it from the weird-things-I-do-when-I-procrastinate feeling or something very genuine and real. Who knows! We'll see what's left when summer settles.

Twenty-thirteen has already been moulded into a collection of cliché war-room abstractions: rising to the occasion; riding out there and meeting the challenge head on. A less neutral body has more enemies, but closer friends. To stir the pot... and so on.

I feel somewhat courageous, like I woke up one day and put my sassy pants on... and they haven't really come off.

Spring's on it's way. I know because my eyes are super itchy all the time. I can't wait to get out in the garden once this rain lets up. I can't wait for sunshine and heat and freckles.



Things you should probably check out:

I finally got to go to the Rain City Chronicles - hop on that train because it's great.
A reminder that The Featured Creature exists.
Never been to the Stormcrow? Go to there.
Check out this double feature at the Vancity theater this month!
Want a home page?
Shout out to a film project! Resonance by David Kelso and Russell Hirsch - they're shooting this fall!